Wednesday, May 1, 2013

How to run your first DJ gig

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 Hosting your first small club event or DJ Gig
Questions to think about:


Chances are you love music and would love to play it more if your reading this!
Have you ever hosted an event? Did you think it may be fun or you may be good at it?

Wednesday, April 17, 2013

House Music Compilations




CLASSIC SELECTION:

To continue on with the theme of the underground house scene, it is time to highlight a few classic vinyl packs. Yes, these packs are for the old school house lovers! BUT, they continue to rock dance floors to this day!

Thursday, February 21, 2013

PRO’s and SESAC Helping the best bars in Orlando grow!

 
PRO’s and SESAC Helping the best bars in Orlando grow!

It’s a bold statement, but helping musicians with protection for their tunes will help our nightlife here in Orlando. If you have not thought about this yet, chances are someone will steal it in the future. In reviewing PROs, it may help a musician do more then just protect their music. It’s a path for your future. Something to get use to being a part of. There are groups, benefits, royalty collection systems and more. Becoming a promoter before this is complete is putting the cart before the horse.

WHAT FIRST?
First thing is to protect your music before you hand it out or solicit it to your favorite clubs or to record labels. In return we are helping Orlando grow with the industry.

What’s a PRO?
How do we know which PRO’s to pick?

WHAT IS A PRO?
It would be foolish for any performer to not register with a Performing Rights Organization, otherwise known as a PRO. Previous blog posts are outlining reviews on distribution for your music. Click here to learn more about distribution. After learning about distribution, you definitely want to protect it first? Which PRO is best? How many are there? Membership requirements and fees tend to vary, as long as you can show proof that your music has been published or performed it can be protected.

THE TOP 3 PRO’s
In understanding the basics there are 3 big royalty collectors out there. The 3 big PRO’s are ASCAP, BMI, and SESAC. They are well known in the industry for collecting your money and have different reputations. Each have their own competitive advantages. Be selective, it is impossible to belong to more then one at once. So choose wisely.

SESAC
Some PRO’s such as BMI and ASCAP charge annual membership fees. They can vary in price for musicians and publishers. For example, SESAC has no fees at all, but they are very selective in who they accept. They go into a few screening processes and even have an interview to see if you’re accepted. It’s not just anybody they are looking for! Some believe their exclusivity is what sets them apart. SESAC also uses state of the art Pattern recognizing technology supplied by BDS to track performances on the radio.

SESAC BENEFITS
There is a long list of comprehensive benefits for SESAC if they become the choice direction. Here is a link to more of their affiliates and discounts. 




Thursday, February 7, 2013

Tunecore Review






TUNE CORE REVIEW:


Tune Core is a music distribution website for artists to get their work out to the masses and earn some cash. There is many other options so a critique of some of the differences between them all may be helpful. This entry is focused on Tunecore specifically. What exactly is Tunecore? Are they right for me as a producer? Why are they better then the other aggregates out there? These are some of the most common questions you may be asking yourself when you learn about music distribution. With the electronic scene growing more and more as a part of pop culture in America, this is a must have piece of knowledge for most artists that love to make music.

Why does this matter?
Winter Music Conference dates are popping up fast now! There is music to push if your hungry for growth as the rest of the industry! There is one week in a year that has 100’s of events each day for electronic music with great appeal! There are panels, seminars, workshops and many networking opportunities. Or you can just go for the pool parties, hotel events, beach and yacht parties and network that way! If you don’t now about WMC here is a link to more of an explanation

WMC - Sell your music here too!
So the money is coming soon with music distribution! Is your track on Itunes or amazon yet? Can you capitalize on this time of year as an artist and push your music at WMC? Make announcements during your set, have QR codes on your shirt, be the one who is more prepared! Some musicians have many goals and are looking for more then just the discount aggregate known as “Pump Audio”. Although it has lots of purpose to make some extra cash. Read about the perks of Pump in anearlier blog post. 

What is Tunecore?
Tunecore gets your music out there to places where people decide to buy music. Whether your signed or unsigned Tunecore can release your music if you want to make some cash. They keep track of your royalties when downloading and streaming take place and pay you the mechanical royalties as the writer. When you sign up fill in the song writer registration form, pay them, then put in your splits. If you wrote the whole thing it is 100% you. A split relates to how much of the song you own. The singer, lyric writer, other band members, etc. may change your decision on how to split the royalty. Once you realize the split it goes out around the world. Tunecore releases to Spotify, Amazon, Itunes, Deezer, and Myspace Music, just to name a few. They offer you weekly stats on your sales and show you what’s moving and what’s not. Keep in mind that reports show up 2 months after the actual sale is complete. Many customer reviews can be discarded based on the knowledge that they don’t have a tune being sold at all or simply have not found a way to promote properly. Tunecore isn’t making the music themselves… if your bad it doesn’t sell! They also have a Tunecore player if you plan to promote your music on Twitter or Facebook. Share your music with a YouTube video, build buzz, create a following, get likes, share links, be active and it will pay off!

How is Tunecore Different?
Some of the things can be done independently without Tunecore but will cost you a lot as an artist to register with publishing societies around the world. There are dues and fees and minimums to many networks that would be easier to simply join up with a service rather then build on your own from scratch (its costly and time consuming). They are also different because they have been more transparent then some other competitors. Tunecore will show you the ways to make money and want you to do the checking yourself. They state the obvious like how to promote your stuff! It’s not a game of hide and seek! They know what works and you follow the steps. You can also list with other distributors, $30 for two songs and get 100% of your music sales. There’s another option to pay $75 one time and list other songs at no charge as they keep a 10% of the publishing royalties on the music.

Tunecore REVIEWS

So the reviews are mixed and it would make sense to brush up on as many reviews as possible with a few review searches prior to purchasing. There is a decent amount of negative reviews on nearly all-aggregate distributors though. Not many like these companies and yet they are so helpful and lucrative for musicians! To save time I’ll let you know that Itunes has recently (June 2012) changed their review process according to Tunecore. There is a Tunecore message board, which you can check out on your own and see these updates for your own research. Without Tunecore Itunes is known to take anywhere up to 6 months to approve a song with no aggregate behind them. This is one of the perks of distributors like Tunecore or others with a reputation! As of June Itunes now decided to now review content manually prior to your release date. If there is no content issues it posts. Itunes suggests that it can now take 7-14 days to be approved with this process. Many negative reviews are specific to this topic, and Tunecore seems to be handling the issue to the best of their ability by educating their customers. They have little control over how Itunes does business and it is still much better then 'not using' an aggregate and taking 6 months (or possibly longer now) because you have no relationship with Itunes. Use the link provided to see details and make some judgments on the matter.


 


















Sunday, January 27, 2013

WMC Afternoon Delight 2013

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Winter Music Conference 2013

Afternoon Delight


Presented by Auburn Events, Dae, and D24K in association with media services NYC and Ocean Drive Sessions

8 Years of Award Winning Popsicle Sickle Licking Sun Soaked Bliss!
I’d like to highlight the Afternoon Delight Event coming up in March 2013 this year at winter music conference. What’s that? You haven’t heard of it?

You've guessed it, yup! They give away free pop-sickles at the event all day!  
It's an event you don't wanna miss! There's a lot of hype going on about the line up regardless and what will be coming up is constantly changing. The names in the line up are still on hold to be released. If you use Eventbrite you can learn what is available for the public. This event is still in the pre-sale stage but the publicity is high, and well worth looking into if your heading to WMC. It’s not on the official WMC List yet, so the info is for those who know to look for it and seek it out through places like Eventbrite. If you are not a frequent WMC goer, you may not know what I’m writing about in the slightest. So if you are interested in WMC, please seek out the earlier blog post titled “Winter Music Conference,” hopefully answering all your questions the topic. WMC is annual and is massive! Learn the basics on what the conference has to offer completely, where to go, when it started, the purpose, and of course the major difference to the event known as ULTRA (held at the same time). You can also Google the conference or just simply go to wintermusicconference.com for more information. Again Afternoon Delight is not on the official “The List” on the site yet.

The event, Afternoon Delight is an event that has been happening for 8 years now at WMC and going strong! Deep house has a strong cult like following and we know what we bring to the table, its our house. Afternoon Delight is in Miami during WMC and promoted heavily by Adam Auburn. Many are boasting Afternoon Delight and their heavy success each and every year at conference. Put it on your “To Do” list to network this year. For those that are interested in attending it usually sells out so remember Friday, March 22nd 2013 and the line up is still being updated as I write this. This year it’s hosted at 960 Ocean Drive, Miami Beach at Ocean’s 10. If your planning on hitting conference, you can buy your tickets before the 31st of January and get an early bird special and save a little. March line ups are coming out quick at multiple venues (don’t rely on “The List”) and the pre-sales are filling up. There are many so keep your pen out and follow up on past successes to select where to be this year.

To inform those planning on attending the show, last years line up had some originators in the deep house scene step up and tear apart the dance floors. The line up last year was for Afternoon Delight was containing, Aaron Dae and DJ Dirty from Philadelphia, the originator Todd Terry, personal favorite moments from Claude Monet, Ron Carol, Andy Caldwell as well! How can you plan on missing this show? Every year it’s full of the network you should be uniting with and the people that know house music! If I haven’t swayed you maybe another post about some Dub Step is more up your ally.


Promotional Support by: West Coast Soul Events, Lotus SF, BPMSession.com, Fusicology




Tuesday, January 15, 2013

Pump Audio Reveiw





Pump Audio Review

This blog outlines many angles and perspectives in the electronic dance music industry. If an artist needs cash and is just starting out there is always music aggregates. Pump Audio was highly recommended to me so I decided to review the site and look up what others are saying in regards.

What exactly is Pump Audio? Pump licenses your music through BMI, ASCAP and SEASAC and in turn networks you to a stream of others who will pay the royalties out for using the song. They are connecting you to film scores, television shows, commercials, and Internet syndicates to get you paid and help build your resume. The pump system creates a new market that hasn’t been around and creates new revenue opportunities. Pump claims to be owned by musicians who in return are to be for the musicians and their rights. They have the two main ways of getting the music out. One of the ways they do this is through a “Pump Box” which sits on many desktops. This box contains a catalog of numbers and those numbers are given to the song as industries exec's browse and purchase. Its indefinite licensing can be purchased cheap if you decide to grab something from the box. Another is the “Soundtrack Service” online. Recently launched in beta form it allows you to cycle through genre’s and track ID’s and listen and purchase like a store from small snippets.

So are you thinking about using Pump Audio? Now one thing to be known is you don’t’ want to advertise this to anyone. Why do I say this? It’s your music that goes out through Pump but they handle it in bulk with the license so it's sold for cheap. Your track is in a catalog under a Pump Audio ID number, that number is what they title your track when they re-license it. In some cases they make a name for it so people know what they are gonna hear, for instance “rave anthem” or “razor sharp tune”. It’s not the title they want, it’s the ability to find something for their commercial or tv show. Pumps clients want it cheap so we can’t complain, otherwise it wouldn’t get found.

As the writer should register the tune yourself through the same PRO’s such as BMI, ASCAP, and SEASAC. Those PRO’s pay you writer’s royalties at 100% for the original work. Also if you have no publishing company on file with the PRO Pump is a publishing company and will get paid those fees. If you decide to register as one then you save yourself the trouble. Pump does the bulk thing so you get 35%. It was a 50/50 split at one time but I suppose they have a industry name now and can charge a bit more. Actually the reason they did this is it’s no longer the original owners. Pump Audio recently was purchased by Getty Images for 47 million. Getty images is a photo stock licensing company which is a corporate giant. They have the new avenues to push the music with their network through NBC, MTV, BBC, etc and can now be pushing the music on a large scale.

Performance Royalties Owed may be on the smaller side as an artist with Pump Audio but I leave it up to you! It’s another stream of capital and if you wanted to look at what sells and what doesn’t it may be useful. Musicians often wish they had a way to get their music out to the world, now they have great way to do that! It’s a nice resume builder to have your song be on MTV or BBC, so we shouldn’t be complaining about the money when we are just starting off any how. 

http://www.themusicsnob.com/2008/10/06/pump-audios-retitle-publishing-music-licensing/

http://www.pumpaudio.com/artists/index.php


Sunday, August 19, 2012

A Charity Event Needed Assistance

Until There's a Cure There's a Dog :




Recently I had the opportunity of being one of the producers for a respected charity event called, “Until there’s a cure, there’s a dog”. This event took place on Saturday September 18th 2012 and was held at the Orlando Civic Center. RachelleTravaglini and I put a lot of energy into this event as reps from Full Sail. She is one of Full Sail’s career development specialists for the EBMS program and I am known for large events in Philadelphia. Together we made quite the team!